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After FRAME, I reused the training inputs in my company

In 10 years, FRAME contributed to enrich and upgrade the knowledge and competencies of 185 international audiovisual archives professionals. After the their participation in the training programme, they bring back the acquired knowledge in their company and share them with their colleagues. Rita Marques was the Archive Manager at Globo Television Network while participating in FRAME; she explains how she reused and adapted the training inputs for the project she led in her company aiming at the integration of all audiovisual collections’ metadata into a same database.

largeRita Marques - Consultant specialist in audiovisual archives & FIAT/IFTA Executive council member (Brazil)

FRAME 2015
Position titled when participating in FRAME: Archive Manager at Globo Television Network of Brazil 

Rita Marques is a Consultant specialist in audiovisual archives in Brazil, giving consultancy service to audiovisual archive department in public television and other institutions. When she participated in FRAME in 2015, she was the Archive Manager of Globo Television Network of Brazil. At that time, she was involved in a working group which aim was to define the future of audiovisual archives in the company. When she applied to FRAME, she was looking for ideas and skills to implement a more efficient archiving process, by gathering all TV Globo audiovisual collections in a unique database. In addition, her participation in FRAME enabled Rita to reinforce her involvement in international professional networks, such as FIAT/IFTA; for which she is now elected in the Executive Council.

Reasons and expectations from participating in FRAME

Rita Marques When I applied to FRAME, I first wanted to update my knowledge in audiovisual archive management, and then to exchange with audiovisual experts about the new concepts for the future of restoration and use of digital archives contents. Particularly, I expected to learn about best practices to integrate the analogue archive organization in a digital environment.


Positive impacts of FRAME on your work and career paths

Rita Marques FRAME training contributed to develop my actions to increase the access and contacts between the archives and their audiences: how to deliver content adapted to the public's expectations; how to give sense to the content, etc. In line with these access challenges, I used the inputs of FRAME training to highlight the different opportunities the digitization of audiovisual archive has brought for contents management and use.

In a more general perspective, FRAME was an opportunity to reflect about the audiovisual archive work, as the training course gave an excellent overview about the change of position to the archival content manager. It shows its essential role in the creation and production of new contents and information.

What I learned from FRAME training is still very updated until now! The courses told us that the concept of archive changing in the timeline, and that technologies as to be introduced and adapted to our professional practices.

So, thank you very much all the expert speakers that I have the privilege to hear, the FRAME organization team for their dedication and attention, and also the members of FIAT/IFTA, FRAME’s partner, for sharing the knowledge and giving support to preserve the audiovisual archives at risk! 

By participating in FRAME, I expected to exchange with audiovisual experts about the new concepts for the future of restoration and use of digital archives contents

Professional projects supported by the participation in FRAME

Rita Marques To be part of a FRAME course has a special meaning to me.  At this time I was archive manager in a private television in Brazil, TV Globo, taking part of a professional group working together to present vision of the future of the audiovisual archives to this company. 

More particularly, I was working for the implementation of a more efficient archiving process, by gathering all the content that TV Globo produced into the same database. To do that, I must review all the documentation process, but this deals also with physical processing, intellectual management, communication and promotion of contents and information. 

I have presented this project to my company's council in 2014; and it was integrated into the company’s action plan in 2016. Thus after participating in FRAME in 2015, I could reuse and adapt some FRAME training inputs to my company reality in order to successfully implement this project. 

The presentations I have seen in FRAME were very enlightened, they fit together in the doubts that I had. During one week, we had an overview about the most important steps to organize and construct a reference archive in our digital era. FRAME Training gave me a guide to organize the day by day working and what I must do to have a success with my project's implementation.

Today, I continue to work for the audiovisual memory preservation and access: I have my own company and give consultancy services to audiovisual archive department in public television and other institutions.


To read other FRAME Stories



Since 2010, INA organised the professional training programme FRAME, co-funded by the Creative Europe – MEDIA programme of the European Union, and supported by with FIAT/IFTA (International Federation of Television Archives) and EBU Academy (European Broadcasting Union). FRAME is dedicated to international audiovisual archives professionals.